creator Josh Schwartz that he listen to the album, as I wanted to use a song called ‘Goodnight and Go’ in Episode Five of the second season (which we did).

“I loved the entire album and thought her voice was unique. “When I was editing The O.C., I was given Imogen Heap’s album Speak for Yourself by music supervisor Alex Patsavas at the beginning of Season Two - it may have even been before the album’s release,” Buckley told InsideHook via email.

To connect the dots across time, we got in touch with Maggie Phillips, music supervisor on Normal People, as well as Norman Buckley, who worked as a director and editor on The O.C., a job that included editing the Season Two finale, “The Dearly Beloved.” But it’s the song’s placement in Normal People, a new 12-part TV adaptation of the Sally Rooney novel, that has ripped open old wounds, sparked debates about musical baggage and posed the question: Can “Hide and Seek” escape its iconic origins to become something more? Since that night 15 years ago - the episode premiered on Heap’s self-harmonized, vocoder-infused masterwork has been given the meme treatment by Saturday Night Live, the Billboard Hot 100 treatment by Jason Derulo and even the Broadway treatment in Harry Potter and the Cursed Child. The first was the beginning of the Revolutionary War, the second was the one that felled the Archduke Franz Ferdinand in the preface to WWI, and the third arrived in the Season Two finale of The O.C., when Marissa shot Ryan’s brother Trey to the tune of Imogen Heap’s “Hide and Seek.” There are three events that can credibly be called “the shot heard round the world.”

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